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Fela KutiThe life of Fela is full of contradictions, and that's part of what makes him so fascinating. People who love him forgive the flaws in him.His songs are typically 20 minutes long or longer, and sung in a dense Pidgin English that is almost impossible to understand. His music is influenced primarily by Christian hymns and classical music. He also includes jazz, Yoruba, and highlife with guitars and horns.He was a musicianFela Kuti embodied the idea that music can be an instrument of change. His music was used to call for social, political and economic change. His influence is felt today. Afrobeat is a style of music that blends African and Western influences. Its roots are in West-African music and funk. However, it has evolved into a new genre.fela railroad accident lawyer was fierce and fearless. He used his music to speak out against corruption in government and human rights abuses. Songs like "Zombie", "Coffin for the State Head" and others were bold criticisms of Nigeria's dictatorship. He also used Kalakuta as a platform to gather like-minded people and to promote political activism.The play features a huge portrait of his late mother Funmilayo ransome-Kuti. She was a well-known feminist and activist. She is portrayed by actress Shantel Cribbs, who successfully communicated her importance in the life of Fela. The play also focuses on her political activism. Despite her declining health she was unable to get checked for AIDS and instead opted for traditional treatments.He was a musicianFela Ransome Kuti was a multifaceted person who utilized music to bring about changes in the political landscape. He is known for creating Afrobeat, a mix of dirty funk with traditional African rhythms. He was a fierce critic of Nigeria's governmental and religious leaders.Having been raised by an anti-colonial suffragist mom, it is no surprise that Fela was interested in social commentary and politics. His parents wanted him to be a physician, but he had different plans.A trip to America changed his perspective forever. Exposure to Black power movements and leaders such as Malcolm X and Eldridge Cleaver had a profound effect on his music. He adopted a Pan-Africanism philosophy that would guide and inform his later work.He was a writer.Fela met Black Power activists like Stokely Carmichael, and Malcolm X while in the United States. The experience inspired him to start an organization called the Movement of the People and create songs that reflected the ideas he had about activism and black awareness. His philosophies were expressed in public through the way of yabis, an art of public speaking that he dubbed 'freedom of expression'. He also began to establish strict moral codes for his band, such as refusing to take medication from Western-trained doctors.After returning to Nigeria Fela began building his own club, the Shrine in Ikeja. Police and military officials were all the time. His Mosholashi-Idi Oro hangers were able to repopulate the area around the club with hard drugs, especially "bana" and "yamuna" (heroin). But despite this, Fela kept his integrity unshaken. His music speaks to his determination in challenging authority and demanding that popular ambitions are reflected in official goals. It is an influence that will last for generations.He was a poetIn his music, Fela used light-hearted sarcasm to draw attention to political and economic issues in Nigeria. He also made fun of his audience, government, and even himself. He often referred to himself during these shows as "the big dick on the small pond." The authorities took his jokes lightly, and he was often detained, imprisoned, and beaten by the authorities. He eventually renamed himself Anikulapo, meaning "he is carrying death in his pocket."In 1977, Fela released a song called "Zombie" in which he contrasted soldiers with brainless zombies that followed orders without asking questions. The military was offended by the song and they raided the Kalakuta Republic, burning it down and beating its inhabitants. During the raid, her mother was thrown out of her second-floor window.Fela developed Afrobeat in the years that followed Nigeria's independence. Afrobeat is a music genre that combines jazz and native African rhythm. His songs criticized European cultural imperialism and defended traditional African beliefs and cultures. He also criticised fellow Africans for betraying their country's tradition. He emphasized the importance of human rights and freedom.He was a hip-hop artistFela Anikulapo Kuti, trumpeter and saxophonist, was born in Abeokuta in 1938. He is a pioneer of Afrobeat music. He grew up with jazz music, rock and roll and traditional African music and chants, which helped form his unique style of music. After his trip to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement, and her ideas impacted his work in a profound way.After his return to Nigeria, Fela began using his music as a tool for political purposes. He criticized the government of his home country and argued that African culture should not be diluted by Western sensibilities. He also wrote about social injustices and human right abuses. He was repeatedly detained for his criticism of the military.Fela also advocated for the use of marijuana, known as "igbo" in Africa. He frequently held public discussions at Afrika Shrine, which he referred to as "yabis" which was where he would slam government officials and promote his beliefs about freedom of expression and the beauty of women's bodies. Fela had Harems, a group of young women who performed at his shows, and also backing him vocally.He was a dancerFela was a master of musical fusion, taking elements from jazz, beat music, and highlife to create his own distinct style. He was a renowned African musician and a vocal critic of colonial rule.Despite being snatched and tortured by the Nigerian military junta and seeing his mother be killed, Fela refused to leave the country. He died of complications due to AIDS in 1997.Fela was a well-known political activist who opposed the oppressive Nigerian Government and endorsed the principles of Pan Africanism. His albums, like 1973's Gentleman focused on the oppression of both government and colonial parties. He also promoted black power and decried Christianity and Islam as non-African imports that have been used to divide the people of Africa. Shuffering and Smiling is the title track of a 1978 album. It describes overcrowded public transports filled with working poor people, "shuffering and smiling". Fela was a fierce opponent of religious hypocrisy. Fela's dancers were also an excellent complement to his music. They were vivacious, sensual, and regal. Their contributions were as important as Fela's words.He was an activist in the political arena.Fela Kuti used music as a way to challenge oppressive authorities. He steered his knowledge of American funk and jazz toward African modes and rhythms, creating music that is ready for battle. The majority of his songs begin as slow instrumentals, gradually adding small riffs and melodies until they explode in a flash of vigor.Fela, unlike many artists who were afraid to discuss their political views He was adamant and unbending. He stood for his beliefs even when it was dangerous to do so. Funmilayo Ransome Kuti was a feminist leader of the Nigerian Women's Movement. His father was a protestant minister and the president of the teachers' union.He also created Kalakuta Republic, a commune and recording studio that was an expression of resistance. The government raided Kalakuta's Republic, destroying property and severely injuring Fela. He refused to back down however and continued to protest against the government. He died of complications from AIDS in 1997. His son Femi continues to carry his musical and political legacy.He was a fatherMusic is often viewed as a political act, with musicians using lyrics to demand change. But some of the most powerful music-related protests do not use words at all. Fela Kuti was one such artist and his music is still ringing out today. He was the pioneer of Afrobeat music, which blends traditional African rhythms and harmonies with jazz and hip-hop that was influenced by artists such as James Brown.Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist who fought colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in the idea of a Nigeria that served its the entire population.Seun Fela's son is carrying on his father's legacy with the band Egypt 80. The band is touring the world in this year. The Egypt 80's music combines the sound of Fela and a scathing critique of the power structures that exist in the present. Black Times will be released by the end of March. Many fans attended the funeral and paid their respects in Tafawa Balewa Square. The crowd was so big that police were forced to shut down the entrance to the location.