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Fela KutiThe life of Fela is full contradictions, and that's a large part of what makes him fascinating. People who love him will accept his flaws.His songs typically last 20 minutes or more, and are sung in a thick, almost incomprehensible Pidgin English. His music is heavily influenced by Christian hymns, jazz, classical music Yoruba music, chant, and horn-and-guitar heavy highlife.He was a musicianFela Kuti embodied the idea that music can be an instrument for change. fela lawsuit settlements was used to advocate for social, political and economic change. His influence is felt even today. Afrobeat is a style of music that blends African and Western influences. Its roots are in West-African and funk. However, it has evolved into a new genre.His political activism was ferocious and unflinching. He made use of his music to protest against government corruption and human rights violations. Songs such as "Zombie", "Coffin for the State Head" and others were blatant criticisms of Nigeria's government. He also used his residence, Kalakuta Republic, as an area for political activism and an area for gathering with like-minded individuals.The play features a large portrait of his mother, Funmilayo Ransome-Kuti, who was a well-known feminist activist and feminist pioneer. She is portrayed by actress Shantel Cribbs, who has successfully conveyed her significance in the life of Fela. The play also focuses on her political involvement. Despite her condition deteriorating she refused to be tested for AIDS. Instead she took traditional medicine.He was a musicianFela Ransome-Kuti was a complex man who employed his music as a tool for political change. He is renowned for his creation of Afrobeat, a mix of dirty funk with traditional African rhythms. He was a fervent critic of Nigeria's religious and governmental leaders.His mother was a suffragist who was anti-colonial and it's not surprising that he has a love for political commentary and social commentary. His parents hoped that he would be a doctor however, he had other ideas.While he initially sounded in a more political highlife style, a trip to America could alter his perspective forever. Exposure to Black power movements and the leaders such as Malcolm X and Eldridge Cleaver would have a profound impact on his music. He adopted a philosophy of Pan-Africanism, that would influence and guide his later work.He was a writerFela met Black Power activists like Stokely Carmichael, and Malcolm X while in the United States. The experience inspired him to create a political movement called the Movement of the People, and to write songs that reflected his views on political activism and black consciousness. His ideas were expressed publicly through yabis, a form of public speaking he called 'freedom expression'. He also began to enforce a strict ethical code for his group, which included refusing to take medication from Western-trained doctors.Fela returned to Nigeria and began to build his own club in Ikeja. Raids from police and military officials were all the time. His hangers-on from Mosholashi-Idi-Oro repopulated the area around the club with hard drugs, particularly 'bana' and 'yamuna' (heroin). But despite this, Fela maintained an uncompromising integrity. His music is a testimony to his determination to challenge authority and demanding that popular ambitions are recognized in official goals. It is a remarkable legacy that will be remembered for generations to be.He was a poetFela's music used sarcasm and humor to bring attention to economic and political issues in Nigeria. He also snarkily mocked his audience, government, and even himself. During these shows, he would refer to himself as "the big dick in the little pond." These jokes were not viewed lightly by the authorities and he was frequently arrested and imprisonments, as well as beatings at the hands of the authorities. He was eventually given the title Anikulapo, which translates to "he is carrying his death in his pouch."In 1977, Fela recorded a song called "Zombie," which compared soldiers to zombies who obeyed orders without hesitation. The military was offended by the song and conducted a raid on Kalakuta Republic. They burned the place down and beat its inhabitants. In the course of the raid, Fela's mother was thrown from her second-floor window.In the decades following the independence of Nigeria, Fela created Afrobeat, the genre of music that combines jazz with native African rhythm. His songs attacked European culture imperialism and supported African traditional beliefs and cultures. He also criticised fellow Africans for betraying their country's traditions. He emphasized the importance of human rights and freedom.He was a rapperFela Anikulapo Kuti, a saxophonist and trumpeter, was born in Abeokuta in 1938. He is a pioneer in Afrobeat music. He grew up listening to jazz music, rock and roll and traditional African music and chants, which helped shape his style of music. After a trip to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement and her ideas influenced his work profoundly.After his return to Nigeria, Fela began using his music as a political tool. He criticised the government of his country and argued against Western sensibilities that impacted African culture. He also wrote about social injustices and human rights violations, and was repeatedly arrested for his criticism of the military.Fela was also a proponent of marijuana in Africa that is also known as "igbo". He also held "yabis" (public discussions) at the Afrika Shrine, where he would ridicule officials of the government and express his views on the freedom of expression as well as the beauty of women's bodies. Fela had an harem, which was which was a group of women who performed at his shows and backed him vocally.He was a dancerFela was a master at musical fusion. He combined elements of jazz, beat music, and highlife to create his own distinctive style. He was a prominent African musician and vocal critic of colonial ruling.Despite being snatched and tortured by the Nigerian military junta, and witnessing his mother be killed, Fela refused to leave the country. He died from complications due to AIDS in 1997.Fela was an activist in the political arena who was a critic of the oppressive Nigerian government and supported the principles of Pan Africanism. His albums such as 1973's Gentleman focused on the issue of oppression by both government bodies and colonial parties. He also promoted black-power and criticised Christianity, Islam and other non-African imports that divide the people of Africa. The title track on a 1978 album, Shuffering and Shmiling, describes the overcrowded public buses packed with workers "shuffering and smiling." Fela was a strong opponent of hypocrisy in religion. The dancers of Fela were an excellent match for his music. They were sensual, vibrant, and elegant. Their contributions were as important as Fela’s words.He was an activist for the political cause.Fela Kuti was a militant who used music to challenge unjust authority. He transformed his knowledge of American jazz and funk to African styles and rhythms and created an ear that was ready for fight. Most of his songs start with slow-burning instrumentals, then adding small riffs and melodies until they explode in a flash of vigor.Unlike many artists, who were hesitant to publicly discuss their political views, Fela was fearless and uncompromising. He stood up for his beliefs even when it was dangerous to do so. His mother, Funmilayo Runsome-Kuti was a prominent feminist who led the Nigerian Women's movement. His father was a protestant minister and the president of the teachers union.He also established Kalakuta Republic, a commune and recording studio that was a symbol of resistance. The government seized the commune, destroying the property and hurting Fela severely. He refused to give up, however and continued to speak out against the government. He died from complications of AIDS in 1997. He was succeeded by his son, Femi, who continues to carry on his musical and political legacy.He was a fatherMusic is often viewed by many as a political act. Musicians use lyrics to demand change. Some of the most powerful musical demonstrations are not performed with words. Fela Kuti is one the artists mentioned above and his music rings today. He was the first to pioneer Afrobeat music, which combines traditional African rhythms and harmony with hip-hop and jazz, inspired by artists like James Brown.Funmilayo Ransome-Kuti, Fela's maternal grandmother, was an activist and unionist who was a fighter against colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in a Nigeria which served its entire population.Fela's son Seun continues his father's work, with a band called Egypt 80 that's touring the world this year. The music of Egypt 80 combines the sound of Fela with a sharp critique of the power structures that exist in the present. Black Times will be released at the end of March. A large number of fans attended the funeral in Tafawa Balewa square. The crowd was so big that police had to block the entrance to the location.