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Fela KutiFela is a man of contradictions. That's why he's so intriguing. People who love him accept the bad parts of him.His songs are often longer than 20 minutes and are sung in a dense Pidgin English that is almost unintelligible. His music is influenced by Christian hymns and classical music. He also incorporates jazz, Yoruba, and highlife with horns and guitars.He was a musicianFela Kuti embodied that music can be a powerful tool to transform the world. He utilized his music to call for social and political changes, and his influence can be present in the world in the present. His style of music, Afrobeat, is a blend of African and Western influences. Its roots are in West-African and funk. However it has evolved into a brand new genre.His political activism was fierce and frightened. He used his music to speak out against corruption in government and human rights violations. Songs like "Zombie", "Coffin for the State Head" and others were bold criticisms of Nigeria's dictatorship. He also used Kalakuta as a place to gather like-minded people and to encourage political activism.The play features a large portrait of his late mother, Funmilayo Ransome-Kuti, who was a well-known feminist activist and pioneer of the feminist movement. The actress who portrays her is Shantel Cribbs who has successfully depicted her importance in the life of Fela. The play also explores her political activism. Despite her deteriorating condition she refused to be tested for AIDS. Instead, she chose traditional treatments.He was a singerThe Fela Ransome Kuti was a complex man who employed his music to facilitate political change. He is known for creating afrobeat - a fusion of dirty funk with traditional African rhythms. He was also a constant critic of Nigeria's political and religious leaders.His mother was a suffragist against colonialism and it's not surprising that he has a passion for political commentary and social commentary. His parents hoped that he would become a doctor however, he had other ideas.While he began in a more apolitical, highlife vein, a trip to America would change his outlook forever. His music was greatly affected by his exposure to Black Power movements and the leaders like Eldridge Clever and Malcolm X. He adopted a Pan-Africanism philosophy, which would inform and guide his later work.He was a music producerWhile in the United States Fela was introduced to Black Power activists like Stokely Carmichael and Malcolm X. The experiences inspired him to establish a political movement called the Movement of the People, and to compose songs that expressed his thoughts on political activism and black consciousness. His philosophical ideas were aired in public via the medium of yabis, an art of public speaking is referred to as 'freedom of expression'. He also began imposing an ethical code on his band. This included refusing to accept medication from Western-trained doctors.Fela returned to Nigeria and began to build his own club in Ikeja. Police and military officials were constant. fela lawsuits -Idi Oro hangers-on who he had re the area surrounding the club with hard drugs, especially "bana" and "yamuna" (heroin). Fela kept his integrity despite this. His music is a testimony to the determination with which he challenged authority and demanded that the popular will be reflected in official goals. It is a remarkable legacy that will be remembered for generations to be.He was a poetIn his music, Fela used light-hearted sarcasm to discuss political and economic issues in Nigeria. He also poked fun at his audience, government, and even himself. He also referred to himself in these shows as "the big dick in the little pond." The authorities took his jokes lightly and he was repeatedly arrested and detained, as well as beating by the authorities. He was eventually given the title Anikulapo which means "he is carrying his death in his pouch."In 1977, Fela recorded a song called "Zombie," which compared soldiers to mindless zombies that obeyed orders without hesitation. This offended the military, which raided the Kalakuta Republic, burning it down and beating its occupants. In the course of the raid, Fela's mother was thrown from her second-floor window.Fela developed Afrobeat during the years that following the country's independence. Afrobeat is a music genre that combines jazz and native African rhythm. His songs criticized European culture imperialism and supported African traditional religions and cultures. He also criticized fellow Africans who violated their country's traditions. He also stressed the importance of human rights and freedom.He was an artist of hip-hop.Fela Anikulapo Kuti, trumpeter and saxophonist was born in Abeokuta in 1938. He is a pioneer of Afrobeat music. He grew up with jazz music, rock and roll and traditional African music and chants, which helped shape his unique style of music. After a visit to the United States, Fela met Sandra Smith. She was an activist in the Black Power Movement. Her ideas influenced his work.Upon his return to Nigeria, Fela began using his music as a political tool. He criticized the government in his country of birth and argued that African culture should not be diluted by Western sensibilities. He also wrote about societal inequities and human rights violations, and was repeatedly arrested for his criticism of the military.Fela was also a fervent advocate of marijuana in Africa and is referred to as "igbo". He often held public debates at Afrika Shrine, which he referred to as "yabis", in which he would ridicule government officials and promote his beliefs about freedom of expression and the beauty of women's bodies. Fela also had a group of women in his youth, who performed in his shows and acted as vocal backups for him.He was a dancerFela was a master at musical fusion. He incorporated elements of beat music, and highlife into his own distinctive style. He was a leading African musician and vocal critic of colonial rule.Fela refused to be detained and tortured by the Nigerian military junta as well being a witness to the murder of his mother. He died from complications due to AIDS in 1997.Fela was a well-known political activist who criticized the oppressive Nigerian Government and endorsed the principles Pan Africanism. His albums, including 1973's Gentleman focused on the oppression of both government and colonial political parties. He also pushed for black-power and criticized Christianity, Islam and other non-African imports that divide the people of Africa. The title track on the album from 1978, Shuffering and Shmiling, describes the over-crammed public busses full of poor people "shuffering and shmiling." Fela was a strong opponent of hypocrisy in religion. His music was in turn complemented by his dancers, who were vibrant elegant, sensual, and beautiful. Their contributions to the performances were as significant as the words Fela used.He was an activist in the political arena.Fela Kuti was a militant who used music to challenge unjust authority. He took his knowledge of American jazz and funk towards African patterns and rhythms, resulting in an edgy sound that was prepared for battle. The majority of his songs start with slow-burning instrumentals. He layers notes, riffs and other elements until they explode with a sense of urgency.In contrast to many artists who were hesitant to expose their political beliefs, Fela was fearless and uncompromising. He stood up for what he believed in, even when it was risky. His mother, Funmilayo Ransome Kuti was a prominent feminist who led the Nigerian Women's movement. His father was both a protestant minister and the president of the teachers union.He also established Kalakuta Republic - a recording studio and commune that was an emblem of the resistance. The government seized the commune, destroying the property and injured Fela severely. He refused to back down, though and continued to protest against the government. He died from complications of AIDS in 1997. He was succeeded by his son, Femi, who continues to carry on his musical and political legacy.He was a fatherMusic is often viewed by many as a political act. The lyrics of musicians are used to call for change. But some of the most effective music-related protests do not use words in any way. Fela Kuti is among these artists, and his music still is heard today. He was the founder of Afrobeat music, which combines traditional African rhythms and harmonies with jazz and hip-hop, influenced by artists such as James Brown.Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and opposed colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in a Nigeria that served its entire population.Fela's son Seun is continuing his father's work, with a band called Egypt 80 that's touring the world this year. The band's music blends the sounds and politics of Fela's time with a passionate critique of the same power structures that continue to exist in the present. The album, Black Times, will be released in March. Thousands of fans attended the funeral and paid respects in Tafawa Balewa Square. The crowd was so huge that police were forced to shut off the entrance to the location.